Tamil Karaoke Songs For Male Singers Free Download

May 1, 2012 - 5 min - Uploaded by KalatmikaTamil Karaoke For Male Singers with Female Voice and Lyrics in Tamil, Sing Along Karaokes.

From This A2Z Hindi Karaoke Page You Can Easily Find Your Needed Hindi Song Karaoke And Download It By Just Clicking The Link Here I Will Put All Our Latest Karaokes In This Section In Alphabatic Order. First of all u r doin a great job.I am a playback singer.I stumbled onto ur sight by accident.Though at first I was really excited to find the trackslater It got me thinkin and I felt very guilty of downloadin these tracks without payin a penny.I think u shud charge a nominal amount atleast.Why shud anyone work for free.but offer a full song non-downloadable preview even wen u charge so that the ppl can chk the quality before buying.Kudos for the quality.The melodies r fine but the fast beat songs r very nosiyespecially gandi bat and Ram ji ki chaal dekho.Warm regards Karunya.

• • • Music of Goa refers to music from the state of, on the west coast of. A wide variety of music genres are used in Goa ranging from Western art music to Indian classical music. Konkani music is also popular across this tiny state.

Being a of, Goa has a dominant western musical scene with the use of instrument such as the,,, and. It has also produced a number of prominent musicians and singers for the world of. Portuguese also has significance in Goa. Is a popular singer and is referred to as the 'nightingale of Goa'. She sings in both English and Konkani. Some of her popular oldies are Pisso,, Red Rose, Tuzo mog and Noxibak Rodta.

Other popular musicians and singers include (violinist), (conductor and violinist), (often called the king of Goan music), (playback singer),, (former guitarist of Canadian band, of Goan descent), (musician and playback singer), (classical vocalist), (dramatist and classical vocalist), and (singer/songwriter). Goa has produced many performers of, such as the vocalist, and. Goan local bands are also known for their use of western music styles and are popular at both, public and private celebrations.

Goa has become home to a style of Electronic music, the. It is popular at the Electronic music festivals hosted yearly in Goa that attract people from over 50 countries. However, owing to the tourism peak around the Christmas-New year period, the festivals have either been cancelled or re-scheduled on other dates. Contents • • • • • • • • • Traditional music [ ] The traditional Goan musical instruments include,,,,, kasale,,, surt, tasso, nagado, and The is an earthen-ware pot-like vessel made by Goan potters with openings on the two opposite sides, one large and the other small in diameter, with the middle portion much bulging outwards. On the larger opening with the edge conveniently moulded for the fitting, a wet skin of a lizard (lacerta ocelata), known in Konkani as sap or, is fully stretched to cover the whole surface of the opening.

The ghumat is essential for Hindu festivals, some temple rituals like, bhivari and mando performances. A madlem is a cylindrical earthen vessel covered at both ends with the skin of a lizard and is mostly played by the. Being part of Portugal for over 450 years led to the introduction of the, and to Goa.

Other instruments such as the, and trumpet were also widely used. Schools in this period taught pupils at least one such instrument. It is said that Goans have music in their blood, a statement further strengthened by the role music and dance plays in Goan culture. Popular folk dances such as the Portuguese are still part of Catholic weddings. Konkani song may be classified in four groups: one which draws on the more pristine form in music and verse, as in the or the dhalo; the second which blends western and native music but retains Konkani lyrics as in; the third which blends native and western music as well as language as in; and the fourth which has a marked influence of western music and lyrics (in Konkani) with borrowed Portuguese words as in As many as 35 types of Konkani Song have been classified. These include banvarh, deknni, dhalo, dulpod, duvalo, fell song, fughri, kunnbi song, launimm, mando,, palnnam, talghari, song, song and zoti.

The Christian hymns and Hindu religious songs are also characterized separately with the former related to contemporary western styles. • Banvarh is a mourning song, usually sung on the day of cremation by Hindus. • is a song which originated in, and. • is a wedding song.

• is a dance song with quick rhythm and themes from everyday Goan life. • Duvallo is a pregnancy song. • Fell is folk drama with themes from Indian epics or Indian history. It is performed by wandering artists usually after the rains, which start in June and end in August or September. The fell song is a dance song. Download Lagu Ariana Grande Love The Way Lie. • Fughri is a dance song performed on religious occasions, particularly in honour of the deity.

• The Kunnbi, who are probably together with the Gaudde the oldest inhabitants of Goa, belong to the peasant strata. The kunnbi song is a dance song in the fughri style depicting their own life, but also protesting against exploitation and social discrimination in a subtle manner. • Launim is a song dealing with religious and legendary themes. • is a dance song whose major theme is love, the minor ones being historical narratives, grievance against exploitation and social injustice, and political resistance during the Portuguese presence in Goa. • Ovi, which the Portuguese termed as versos, is a song with nuptial themes.

It has the Sanskrit root vri which means “to choose, to select”. The ovi has three rhymed lines and one unrhymed. The former contain each three or four words and the fourth line one, two, and exceptionally three words. The number of syllables is nine for the rhymed lines and four or five for the last line. The early Portuguese Christian missionaries adopted the ovi-form for liturgical and devotional hymns. • Palnnam is a cradle song, a lullaby.

• Talgarhi is a song of the Gaudde. The theatre song is sung during the stage play, mainly performed by wandering artists during the dry season.

They entertain the public while touching on daily life, but also sing subtle satires on local politics and the shortcomings of Goans. • means “watch”.

The zagor song is sung in kunnbi folk plays depicting their own life. They are usually staged at night. * Zoti is sung at nuptials.

The Christian hymns and Hindu songs for the liturgy and popular devotions form an essential part of Goan daily life. It is common for passersby to hear people playing instruments in their houses during the evening hours. Western, Portuguese and indigenous [ ].

Portuguese music and dance on cruise, in Panjim, a part of, had been part of for over 450 years and hence has closer connections with Western and. Use of and other western music is popular specifically at most and celebrations. Live bands are a celebratory feature at such weddings and are generally clubbed with a local to allow for intervals to be covered also. Over the centuries, indigenous Goan music was blended with European music, particularly that of.

Hence Goan music uses western styles, notes and musical instruments more significantly than regional Asian variants. The Goa Symphony Orchestra and Goa Philharmonic Choir were founded. Another major attraction of the Goan music industry is the derived from the Portuguese word 'teatro' meaning theater. It is a type of still very popular with Goans, resident in Goa or Bombay as well as with expatriates and resident communities in the, London and other major western cities (where Konkani speakers have a considerable presence). The are performed in the dialects and include music, dancing and singing.

Tiatr performers are called tiatrists. Songs integral to the plays are known as 'Kants'. Rated People Clone Rapidshare Library on this page. Other songs, called kantaram are generally either comedic or based on topical, political and controversial issues that are interspersed through the performance. These musical interludes are independent of the main theme of the play.

The songs are often satirical and unsparing of the politics and politicians of Goa. The music is provided by a live band including,,, and. This century old theater industry in Goa still remains independent of government control and efforts to bring it under such control have met massive opposition from locals for fear of government regulation over content of political nature. The Monte Music Festival hosted by Lisbon-headquartered, in partnership with the hotel Cidade de Goa is one of the premier cultural events on Goa’s crowded calendar. Every year, the three-day concert features both Indian and Western classical music along with dance performances held at the spectacularly situated Capela do Monte, high above the old capital of the Estado da India (former ).

The area is a. The recently introduced annual two-day offers music programs, courses and conferences with artists from several traditions around the world including Carnatic, Christian, Sufi, Hindustani, Jewish, Orthodox and many others. Artists like Santiango Girelli (orchestra conductor from Argentina), Rocio De Frutos (soprano from Spain) and Leo Rossi (violinist from Argentina) have participated in past events. Main articles: and Goa Trance (sometimes referred to as Goa or by the number 604) is a form of electronic music that developed around the same time as Trance music became popular in Europe.

It originated during the late 1980s and early 1990s in the Indian state of Goa. Essentially, Trance music was pop culture's answer to the Goa Trance music scene on the beaches of Goa where the traveler's music scene has been famous since the time of the Beatles.

Goa Trance enjoyed the greater part of its success from around 1994 -1998, and since then has dwindled significantly both in production and consumption, being replaced by its successor, Psychedelic Trance (also known as psytrance). Many of the original Goa Trance artists:,, and are still making music, but refer to their style of music simply as 'PSY'. TIP Records, Flying Rhino Records, Dragonfly Records, Transient Records, Phantasm Records, Symbiosis Records, Blue Room Released were all key players on the beach and in the scene. Goa Trance is closely related to the emergence of during the latter half of the 1990s and early 2000s, where the two genres mixed together. In popular culture, the distinction between the two genres often remains largely a matter of opinion (they are considered by some to be synonymous; others say that Psytrance is more 'psychedelic/cybernetic' and that Goa Trance is more 'organic', and still others maintain that there is a clear difference between the two). If anything, the styles are easier to differentiate in Central and Eastern Europe (e.g. Austria, Hungary, Romania) where Goa Trance parties are more popular than Psy-Trance parties - the opposite being true in the UK, Belgium and Germany.

Psy Trance has a noticeably more aggressive bass line and Goa tends to avoid the triplet-style bass lines. Between them however, both psy- and Goa trance are sonically distinct from other forms of trance in both tonal quality, structure and feel. In many countries they are generally more underground and less commercial than other forms of trance, except for Brazil and Israel, which since the year of 2000 it became both countries most popular type of music for the general party scene. Top DJ's from the UK and other parts of Western Europe fly to Goa for special parties, often on the beaches or in rice paddies. 'Shorebar' at Anjuna Beach in Northern Goa is traditionally seen as the birthplace and center of the Goan trance scene.